22nd International Piano Week, 27 July–2 August 2025
OrkesterEfterskolen Holstebro, Denmark
The most inspiring get-together for pianists
Recitals and masterclasses with
Recitals take place at Holstebro Musikskole, Bisgårdmark 16, Holstebro.
Tickets are sold at the entrance and at the free event on Monday 28 July.
DKK 200 (students DKK 100). Pass to all recitals: DKK 500 (students DKK 250)
Meet the professors: free Q&A event
Monday 28 July at 16.30
Holstebro Musikskole, Bisgårdmark 16, Holstebro
Masterclasses Sunday 27 July–Friday 2 August
With Professors Margulis, Park, Prommachart and Lønskov.
OrkesterEfterskolen, Bisgårdmark 18, Holstebro
22nd International Piano Week
EPTA Denmark proudly presents a week-long festival for young pianists, piano teachers and piano lovers.
The festival is open to performing (ages 9–26) and non-performing (no age limit) participants. Performing participants receive three individual lessons in open class and will have access to practice rooms. All participants will have free entry to all master classes, recitals, workshops and social gatherings, which are held throughout the week.
Piano recitals take place on the evenings of 28 July–2 August. Each recital opens with a mixed programme, in which all performing participants are encouraged to perform. Second half features a 50-60 minute recital with each of the faculty members.
With a maximum of 40 performing participants, International Piano Week offers a supportive and friendly environment; large enough to be lively and vibrant, yet so intimate that everyone can get to know each other and feel safe among peers.
The festival takes place in beautiful surroundings at OrkesterEfterskolen, Holstebro. The school features a newly inaugurated concert hall, classrooms and rooms for practise. All participants receive full board, and may choose between single and double rooms.
22nd International Piano Week is proudly sponsored by Juhl-Sørensen A/S.













Festival programme
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Sunday 27 July
Arrival.
Evening: Social event, folk dance
Late evening: Social event, meet and greet
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Monday 28 July
Morning: Masterclasses
Early afternoon: Masterclasses
Late afternoon: Q&A with professors (free admission)
Evening: Recital with participants and Tom Borrow
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Tuesday 29 July
Morning: Masterclasses
Early afternoon: Masterclasses
Late afternoon: Workshops
Evening: Recital with participants and prof. Christopher Park
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Wednesday 30 July
Morning: Masterclasses
Early afternoon: Masterclasses
Late afternoon: Workshops
Evening: Recital with participants and prof. Tove Lønskov and Mathias Hedegaard (tenor)
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Thursday 31 July
Morning: Masterclasses
Early afternoon: Masterclasses
Late afternoon: Workshops
Evening: Recital with participants and prof. Poom Prommachart
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Friday 1 August
Morning: Masterclasses
Early afternoon: Masterclasses
Late afternoon: Workshops
Evening: Recital with participants and prof. Jura Margulis
Late evening: Reception and party
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Saturday 2 August
Morning: Departure
Meet the Faculty
Including top prize winners from the world’s leading piano competitions, we are proud to present an outstanding faculty of internationally acclaimed pianists and piano teachers.
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Masterclass for students aged 15–26 years
Concert pianist, recording artist, master teacher, and author Jura Margulis has been internationally recognized for his compellingly communicative and emotionally charged performances, as well as for the range of his expressive tonal palette and his consummate transcendental virtuosity. Reviewers have praised the “absolute authority” of his interpretations and the sense of “controlled obsession” he transmits at the keyboard (Fono Forum). The Frankfurter Allgemeine Zeitung noted that his aesthetic is both “impulsive and contemplative.” The Los Angeles Times praised his “excellent pianism” and called him “highly musical”. The Washington Post applauded his “titanic reserves of sheer power” and his “effortless spontaneity.” The Fort Worth Star-Telegram called his performance “… the perfect Beethoven for the audience of our time … sweeping lyricism … imagination, originality, and good taste pervaded every phrase.” In August of 2011 Drehpunkt Kultur in Salzburg stated: “After the performance one fleetingly thinks of the pianists that became legends, but comparisons are impermissible. Margulis is a master sui generis (of his own kind).
His orchestral appearances include performances with the Russian National Orchestra at the Hollywood Bowl, the Montreal Symphony Orchestra under Charles Dutoit, the Südwestrundfunk Orchestra, the Memphis Symphony Orchestra, the National Orchestra of Venezuela, the Thailand Philharmonic Orchestra, the Prague Symphony Orchestra, the Shenzhen Philharmonic Orchestra, and the Orchestra della Svizzera Italiana. He has played in numerous festivals, including the Schleswig Holstein Musik Festival, the Berliner Festwochen at Berlin Philharmonic Hall, the Verbier, the Lugano, and the Sommets du Classique Festivals in Switzerland, the Argerich-Beppu Music Festival in Japan, and the Salzburger Festspiele in Austria. In his younger years Margulis won prizes in more than a dozen international competitions, including Busoni in Italy and Guardian in Ireland. He is also a recipient of the esteemed Pro Europa prize awarded by the European Foundation for Culture.
Active as a chamber musician, Margulis is a founding member of the Margulis Family Trio and performed with, among others, Dmitry Sitkovetsky, Lilya ZIlberstein, Alissa and Natalia Margulis, Alexander Buzlov, Arnold Bezuyen, the soloists of the Moscow Virtuosi, members of the Chicago Symphony Orchestra, and the Moscow String Quartet. He has also concertized with Martha Argerich on two pianos in Germany, Switzerland, Japan, and the USA. Recent years have brought him to New York, Chicago, Los Angeles, St. Louis, Dallas, Cincinnati, Salt Lake City, Little Rock, Tulsa, Carmel, Austin, Phoenix, San Jose, Minneapolis, Memphis, and New Orleans, as well as to Frankfurt, Düsseldorf, Hamburg, Elmau, Berlin, Bologna, Bruxelles, Bayreuth, Budapest, Bangkok, Barcelona, Beijing, Paris, Cape Town, Madrid, Yerevan, Warsaw, Aix-en-Provence, Almaty, Ankara, Lugano, Jerusalem, Tel Aviv, Tbilisi, Thessaloniki, Tokyo, Tallin, Hong Kong, Sapporo, Seoul, Shenzhen, Salzburg, Vienna, Moscow, and St. Petersburg.
Margulis has recorded ten CDs for Sony, Ars Musici, and Oehms Classics, covering a wide spectrum of repertoire. These recordings have attracted significant attention, including selection as a “reference recording” by Fono Forum, and inclusion on the “Bestenliste” of the Deutschen Schallplattenkritik (German Recording Review). His CD featuring piano transcriptions of music from Bach to Caplet (2007), received 10 out of 10 for “artistic quality” from KlassikHeute. The accompanying review stated: “not since Horowitz’s old RCA recording have I encountered a performance of Saint-Saens’ Danse Macabre that so grippingly leaps from the stage, as here in Jura Margulis’ own transcription.” The review also noted that Margulis’ own transcription of a little-known piece by André Caplet “should, like Ravel’s own transcription of his La Valse, claim a place in the repertoire of young pianists.” Klassik.com, also giving the CD its highest rating, raved that Margulis “cannot be praised enough.” Margulis’ Bach, Beethoven, Brahms, Berg solo CD was released in fall of 2009; All Music Guide writes: “This CD is one of the best played, best interpreted, best programmed recitals of piano music of the year”. In 2011 Margulis released a CD with the complete Liszt violin and piano duo repertoire with his sister Alissa Margulis. In 2012 a CD with Schumann’s Dichterliebe in original version and Berg’s Seven Early Songs with tenor Arnold Bezuyen was released. In 2014 Margulis released an all Schubert con Sordino CD on a MSP Steingraeber D-232 prototype. Fono Forum writes: “Margulis plays (Schubert) with an enthusiasm, a sensitivity, and a creative imagination that are near incomparable.” The MSP website, www.MargulisSordinoPedal.com, states: “The Margulis Sordino Pedal is a quantum leap for the dynamic (volume) and spectral (color) expressive palette of the modern concert grand piano.” In 2015 his latest CD was released with all original transcriptions of music form Bach to Shostakovich on the MSP Steingraeber D-232 including a piano duo with Martha Argerich of Night on Bald Mountain by M. Mussorgsky, also in Margulis’ original transcription – “… astonishing …” Piano News; “… demonic … a brilliant achievement … ” Pianiste. Over 50 titles from his CDs can be found on iTunes.
Jura Margulis’s father and grandfather were pianists and pedagogues and methodical piano pedagogy is an integral part of his artistic vision. He holds master classes in the US, Germany, Austria, Italy, Switzerland, Spain, Portugal, Hungary, Slovenia, Estonia, Armenia, Israel, Russia, Korea, China, and Japan. He is the author of Pianist To Pianist, a weblog of thoughts, observations, research, methodology, rules, exceptions, aphorisms, concerns, and secrets from Pianist to Pianist, published as a book in 2019 by EmanoMedia, Switzerland. Jura Margulis is regularly invited as a judge in international piano competitions, most recently in the ARD Music Competition in Munich and the World Piano Competition in Cincinnati.
Born in St. Petersburg, Russia, Jura Margulis was raised in Germany, where he studied with his father, Vitaly Margulis, at the Musikhochschule Freiburg. He was also a student at the prestigious Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy. In 1994 he moved to the United States to study with Leon Fleisher at the Peabody Conservatory in Baltimore and made the US his home. 2008 Margulis became the inaugural holder of the Emily J. McAllister Endowed Professorship in Piano at the J.W. Fulbright College of the University of Arkansas. In 2018 Jura Margulis returned to Europe following an appointment as professor of piano and member of the Institute of Science and Research at the Music and Art University in Vienna, Austria.
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Masterclass for students aged 15–26 years
Prof. Julia Mustonen-Dahlkvist is professor and head of the Piano Department at the Ingesund College of Music at Karlstad University. She is the Artistic Director of Glafsfjordens Music Festival,
President of Ingesund Piano Foundation, Artistic Director of the Nordic Piano Competition and founder and director of Nordic Junior Piano Competition.
In 2019 her students became First Prize winners in Maria Canals Piano International Competition and Casagrande International Piano Competition, 4th and Audience Prize at Concours International
Long-Thibaud Crespin and First Prize at the Vendome Prize at Verbier Festival.During 2016-2018 her students became Top Prize Winners,Finalists and Special Prize Winners of WFIMC level competitions such as G. Bachauer International Piano Competition in US, Concours de Geneve in Switzerland, Tbilisi International Piano Competition in Georgia, Dublin International Piano Competition in Ireland, J. Mottram International Piano Competition in England, Viotti International Piano Competition in Italy, Clara Haskil Piano Competition in Switzerland, Grieg Piano Competition in Norway and Enescu International Piano Competition in Romania.
In the past few academic years Prof. Jula Mustonen-Dahlkvist has given masterclasses in top institutions of Hong Kong, Latvia, Germany, South Korea, Estonia, Finland, Norway, Denmark and Belgium among other
countries. Julia is also a guest professor at Rachmaninov Academy in Catania.
Julia is a concert pianist from a diverse background. Born in a Finnish-Russian family, she started to play the piano at the age of three under the guidance of her mother, Lidia Mustonen. She studied in
Sibelius Academy in Helsinki, Staatliche Hochschule für Musik in Freiburg, Hochschule der Kunste in Berlin, Royal Academy in Dublin as well as Stockholm College of Music and Marshall Academy in Barcelona. Her most important teachers include Vitali Berzon, Erik T. Tawaststjerna, John O'Conor, Dominique Merlet and Alicia de Larrocha.
She is a Blüthner Artist and Genuin Records Artist in Germany. She is first prize winner in Nordic Piano Competition in 2004 and has received cultural awards from the Finnish Culture Foundation in
Finland, Anders Wall foundation in Sweden and Sonning Scholarship award in Denmark among others.
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Masterclass for students aged 9–25 years
Tove Lønskov was trained at the Royal Academy of Music in Aarhus, where she studied under Alma Jørgensen and Georg Vasarhelyi. Further studies took her to Paris with Magda Tagliaferro and Vlado Perlemuter, to Rome with Guido Agosti, and to the legendary German pianist Wilhelm Kempff.
As a soloist, she has performed most of the major classical piano concertos with Danish symphony orchestras, collaborating with conductors such as Uri Segal, Thomas Bricetti, Jorma Panula, Zdenek Macal, and Avi Ostrowsky. She has also given numerous recitals, with a particular focus on Danish composer Poul Schierbeck, whose complete piano works she has performed and recorded.
Lønskov is equally renowned as a chamber musician, having played with internationally celebrated artists, including flautist Jean-Pierre Rampal and violinist Leonid Kogan. Her longstanding partnership with Hungarian flautist András Adorján recently resulted in Dannemark Dannemark!, a CD of Danish flute and piano music.
She has also achieved great success working with singers, leading to concerts and recordings of works by Schubert, Schumann, Strauss, Grieg, Nielsen, and others. Notably, her collaborations include Winterreise with baritone Johan Reuter and Love Songs with tenor Mathias Hedegaard.
A significant part of her life has been her piano duo with husband Rodolfo Llambías. Together, they’ve recorded acclaimed works by Debussy, Schubert, Brahms, and Messiaen. Lønskov remains a passionate educator and has taught many of Denmark’s finest young pianists. She is a Knight of the Order of the Dannebrog.
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Masterclass for students aged 15–26 years
“Christopher Park is a pianist who captivates with his fascinating technical mastery, astounding musical maturity, and a particularly intense performance style” – this was the explanation given by the jury by the Stiftung Schleswig-Holstein Music Festival upon awarding Christopher Park the renowned Leonard Bernstein Award 2014.
Numerous important ensembles have engaged Park, a Bamberg-born musician, including the Vienna Symphony Orchestra, both Frankfurt and North German Radio Symphony Orchestras, WDR Sinfonieorchester, Deutsche Symphonie-Orchester Berlin, Frankfurt Opera Orchestra, Magdeburg Philharmonic Orchestra, Hungarian National Philharmonic, Spanish National Orchestra, Royal Philharmonic Orchestra of Galicia, Cape Philharmonic Orchestra, Zagreb Philharmonic Orchestra, China NCPA Orchestra, Shanghai Symphony Orchestra, Seoul Philharmonic, Qatar Philharmonic Orchestra, Chambre Orchestra of Lausanne, English Chamber Orchestra, Munich Symphony Orchestra and Bamberg Symphony, to name but a few. In November 2014, Christopher Park stood in for Emanuel Ax to great success with the North German Radio Symphony Orchestra, only a few months after his widely celebrated début in Hamburg.
So far he has worked with conductors such as Christoph Eschenbach, Paavo Jarvi, Sebastian Weigle, Jukka-Pekka Saraste, Ion Marin, James Gaffigan, Zsolt Hamar, Roman Kofman, Nicholas Milton, Kimbo Ishii, Paul Daniel and Dimitri Kitaenko. He has given concerts in Europe, Asia, America and New Zealand and played at events including the Ravinia Festival, the Lucerne Festival, the Klavierfestival Ruhr, the Festspiele Mecklenburg-Vorpommern, the Rheingau Music Festival, the Schleswig-Holstein Music Festival, the Quincena Musical de San Sebastián and the Burgos International Music Festival.
Christopher Park has been chosen as „Rising Star“ by the ECHO (European Concert Hall Organisation). Therefore he debuted in Europe’s renowned concert halls in London, Amsterdam, Hamburg, Vienna, Stockholm, Barcelona, Budapest, Lisboa and others.
Alongside his engagements as a soloist, for which he has gained recognition in the form of various scholarships and awards (e.g. the Rheingau Music Festival to support new talent), he is passionately involved in chamber music. He made his début in the Brahms Saal of the Vienna Musikverein at the end of 2014 with the Küchl Quartet, which comprises members of the Vienna Philharmonic. After that the Vienna Philharmonic Orchestra nominated him as their candidate for the Credit-Suisse Award. He has also played with Avi Avital, Marc Bouchkov, Pablo Ferrandez, Alban Gerhardt, Richard O’Neill, Leticia Moreno, Adolfo Gutiérrez Arenas, the Pavel-Haas Quartet and accompanied singers including Sumi Jo. He has collaborated with John Neumeier on various projects such as Stravinsky’s Petrushka Variations, Schumann’s Kinderszenen and suites by Johann Sebastian Bach.
His solo CDs with Deutsche Grammophon, Oehms Classics, Ondine, and Capriccio have been praised by critics as 'excellent in every way,' 'brilliant recording,' and 'reference recording' by magazines such as Gramophone and Pizzicato.
Christopher Park was influenced by two major musical traditions during his studies: the Russian school of Lev Oborin with Lev Natochenny as well as the German school of Wilhelm Kempff with Joachim Volkmann.
Park was teaching in Frankfurt/Germany at both, the Conservatory and the University of Music and Performing Arts. Since 2021 he is professor at the Norwegian Academy of Music in Oslo.
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Masterclass for students aged 9–25 years
Steinway Artist Poom Prommachart, a distinguished pianist from Bangkok, Thailand, is a full-time lecturer and Program Leader for the BA (Hons) in Music Performance at the Department of Film and Performing Arts, Sunway University. He also holds the esteemed position of Elite Fellow at the Faculty of Music, University of Malaya.
In May 2023, Poom’s exceptional talent earned him the Best Solo Performance for Instrumental Music award at the 18th BOH Cameronian Arts Awards. He holds a Doctor of Music degree from the University of Montreal, where he was recognized on the Rector’s List of Honour for Most Exceptional Graduates.
Poom’s musical education began at the Royal College of Music (RCM) in London, where he earned his Bachelor of Music, Master of Music, and Artist Diploma on a scholarship graciously sponsored by H.R.H. Princess Galyani Vadhana of Thailand and RCM. His time at RCM was marked by the prestigious Tagore Gold Medal, an honor personally presented by Prince Charles (now King Charles III). He further honed his artistry at the Moscow Conservatory.
Poom gained international prominence in 2010 as the Gold Medalist at the Fifth Isidor Bajić International Piano Competition in Serbia. Since then, he has performed with renowned orchestras worldwide, including the Kazakhstan Philharmonic Orchestra, Montevideo Philharmonic Orchestra, London Musician Symphony Orchestra, Timisoara Philharmonic Orchestra of Romania, National Symphony Orchestra of Serbia, Worthing Symphony Orchestra, and Vojvodina Symphony Orchestra. Recent highlights include performances with the Hong Kong Philharmonic Orchestra at Prince Mahidol Hall and Yuen Long Theatre, as well as with the Royal Bangkok Symphony Orchestra at Japan’s prestigious Suntory Hall.
An advocate for contemporary music, Poom was commissioned by Australian composer Carl Vine to premiere Three Fantasies, supported by United Overseas Bank Limited (UOB), at Hong Kong University.
Poom’s accolades also include the Grand Prize at the Orford Music Award in Canada (2020).
Rates
DKK 5,300
Performing participants in double room
All inclusive. Members of EPTA Denmark DKK 5,000.
DKK 4,300
Non-performing participants in double room
All inclusive. Members of EPTA Denmark DKK 4,000.
DKK 7,300
Performing participant with parent/guardian in double room
All inclusive. Members of EPTA Denmark DKK 7,000.
DKK 6,300
Performing participants in single room (limited availability)
All inclusive. Members of EPTA Denmark DKK 6,000.
DKK 5,300
Non-performing participants in single room (limited availability)
All inclusive. Members of EPTA Denmark DKK 5,000.
Other rates
Single night with breakfast (one person in single room): DKK 400
Single-day pass to masterclasses: DKK 200 (students DKK 75)
Half-day pass to masterclasses: DKK 125 (students DKK 50)
Single meal: DKK 80
Ticket for one recital: DKK 200 (students DKK 100)
Pass to all recitals: DKK 500 (students DKK 250)
Recital tickets, masterclass passes and single meals are sold on site. For shorter overnight stays, please contact festival director Dr Balder Neergaard at bn (a) epta.dk.
Application form is available at the bottom of this page, and are processed on a first-come, first-served basis. Apply today, as applications will close as soon as all places have been taken.
FAQs
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You can specify your preferered professors in the application form. While we cannot guarantee that you will be allocated to your professors of choice, we will do our best.
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All teaching, announcements and events are in English.
Participants aged 9–14 may opt to receive their lessons in Danish.
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We offer single as well as double rooms. If there is someone you wish to share room with, please specify in the application form.
Rooms are spread across a number of smaller houses, containing six rooms and two bathrooms in each.
Please note that you will need to bring your own bed linen and towels for your stay.
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Please specify any allergies in the application form, and we will inform the kitchen.
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OrkesterEfterskolen is situated in Holstebro, a town of nearly 37,000 inhabitants in the mid-west of Jutland.
By train/bus:
Holstebro Railway Station is a 20-minute walk from OrkesterEfterskolen. The station is connected to the InterCity railway system, and serves a number of local and regional bus lines.
Visit rejseplanen.dk to plan your journey and book tickets.
By air:
The nearest international airport i Billund Airport, which serves selected destinations across Europe. From Billund Airport, bus lines 43 and 119 connect to the InterCity railway system, from where you can take a direct train to Holstebro. The journey from Billund Airport to Holstebro Station takes 1h30m–2h10m.
Alternatively, Copenhagen Airport serves a broader variety of destinations. The airport connects to Holstebro on a one-stop journey by train of about 4 hours.
By car:
Distances from major cities:
Aarhus: 120 km
Aalborg: 135 km
Copenhagen: 344 km
Hamburg: 377 kmThe address of OrkesterEfterskolen is:
Bisgårdmark 18
7500 Holstebro
Denmark -
Please send all enquiries to festival director Dr Balder Neergaard at bn (a) epta.dk or fill in the form on our contact page, and we will get in touch with you shortly.
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Please fill in the application form at the bottom of this page.
Upon receipt of your application, please deposit 1000 DKK, either to MobilePay number 496554 or to our account in Danske Bank:
Reg.nr. 1551. Account 001679 6603
IBAN: DK54 3000 0016796603. SWIFT/ BIC: DABADKKK
Please make sure to cover transaction fees.
We kindly ask you to deposit the remainder of the participation fee by 15 May 2024 to the MobilePay number or bank account above.
Please be aware that the application is only finalised when the full participation fee has been received by EPTA Denmark.
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If you’ve been accepted to International Piano Week, but are unable to come, please contact Festival Director Dr Balder Neergaard as soon as possible at bn (a) epta.dk.
We may reimburse part of your participation fee depending on the date of your cancellation:
Cancellations until 15 May: 50% of the participation fee
Cancellations on or after 16 May: No refund.
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International Piano Week is an annual piano festival organised by EPTA Denmark. We are the Danish branch of European Piano Teachers Association, an international society of pianists, piano teachers, students and music lovers. Our goal is to strengthen the interest for the piano and its literature, and to support the further development of piano education in Denmark.
Organising Committee
Dr Balder Neergaard (Festival Director and President of EPTA Denmark)
Vagn Sørensen (Vice-President of EPTA Denmark)
Lise Andersen (Treasurer of EPTA Denmark)
Tony Nguyen (Committee member of EPTA Denmark)
Carsten Møller (Deputy committee member of EPTA Denmark)